Just because the writer, reader and general populous know how the book is going to end doesn’t mean it’s not a book worth reading – or writing. In fact, I have discovered that writing the books with a required ending is more challenging than writing ones without.
The Annual Romance Writers of America Conference makes up for a year of lonely workdays in a single week. I’ve been home from the conference for a few days now and I can officially look back and discuss some of the themes, trends, and moods that I witnessed this year and what excites me most about being part of the romance writers community.
But the one thing that a book must have to count as a romance novel at all is either a Happily Ever After or Happily For Now. The reader goes into the story knowing that everything is going to turn out all right in the end, better than all right, no matter how dire the circumstances may seem.
I have been given a lot of advice. And while a great deal of it has been good (and, naturally, a great deal has been truly terrible as well,) nothing has yet come to claim the crown as these simple words from my grandfather.
I may have a little insight into how to reconstruct your book while you are standing in it. Here are a few tips and tricks to starting over from the inside out.
The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story. There are several ways to go about doing this. Here are just a few.
In the great spectrum of history and the universe, my Bachelor’s degree does not hold up to the onslaught of information, facts, figures, and theories that make up all of humanity, nature, and what we do not know. And that’s awesome.
