What draws us time and again to this trope? Hate-to-love is surprisingly tricky to write, and you have to be carefully toeing the line, but we keep coming back? Why? The tension. Ooh baby, we love that tension.
Girl on girl hate has become a ubiquitous theme in romantic comedies, novels, television shows and nearly anything catering to the pre-teen, thus creating a never ending cycle of vicious gossip, bullying and tormenting. Modern romance fights that tide.
As an author, I think it’s important to read books that aren’t perfect so we can perform more effectively in our own stories. That said, there are a few things that will make me put a book down.
I cannot say I’ve ever read a romance novel where the heroine sat around twiddling her thumbs waiting for a two-dimensional character with no name, (looking you, Prince Charming... ) to give her a new life.
If romance makes the changes that should have been made centuries ago, if romance opens its publishing houses and agencies and offers the same opportunity to authors of color as it does to white authors right now, we take away the excuse that it won’t work.
Whether there are only seven stories to honestly be told or a vast amount more, the reality is that when you—or any other author—puts those stories to the page, it is the very first time they have been done that way.
There are several reasons I love writing epilogues. Here are just a few.
From the outside, writing doesn’t look too hard. After all, I spent eight to ten hours a day on my computer, doing the thing I love most in the world. What could be difficult about that? I get to research unique and interesting things, and tell the stories that I want to tell. It’s the dream job.
And it is the dream job, but it’s sure as hell not an easy one.
Why aren’t these books marketed as romance novels and why do so many stories have love-story plots or subplots but scoff at the ones that do so intentionally?
But despite all those things people tend to say about romance, reading it has made me a fundamentally better author, both in and out of the genre. These books are often escapist and fantastical, yes, but I have taken many important writing skills and themes away from them. Here are just a few.