As creative professionals living in a chaotic world, we can feel a lot of pressure to complete every project, accept every opportunity, and allow our personal and professional lives to cross over more than they should. Today, I’m telling you that I can’t do it all.
What draws us time and again to this trope? Hate-to-love is surprisingly tricky to write, and you have to be carefully toeing the line, but we keep coming back? Why?
The tension. Ooh baby, we love that tension.
Contemporary stories wiggled around in my head until I gave them life, and soon I found that I was writing in several genres, erotic and more traditional romance in both the historical and modern age. I wrote BDSM novellas and menage novels and pirates stories and everything in between. And along the way, I’ve come to favor certain elements of writing both then and now.
Be a writer, they said. It will be easy, they said.
Girl on girl hate has become a ubiquitous theme in romantic comedies, novels, television shows and nearly anything catering to the pre-teen, thus creating a never ending cycle of vicious gossip, bullying and tormenting. Modern romance fights that tide.
As an author, I think it’s important to read books that aren’t perfect so we can perform more effectively in our own stories. That said, there are a few things that will make me put a book down.
As wonderful as my character’s tragic backstory or hushed conversation might be, none of that matters an iota if I don’t get the beginning right.
I cannot say I’ve ever read a romance novel where the heroine sat around twiddling her thumbs waiting for a two-dimensional character with no name, (looking you, Prince Charming... ) to give her a new life.
The discussion is ongoing, but the panel was insightful, educational and full of actionable steps that authors, readers, and industry professionals can take to further a fully inclusive, fully intersectional romance genre.
If romance makes the changes that should have been made centuries ago, if romance opens its publishing houses and agencies and offers the same opportunity to authors of color as it does to white authors right now, we take away the excuse that it won’t work.