As an author, I think it’s important to read books that aren’t perfect so we can perform more effectively in our own stories. That said, there are a few things that will make me put a book down.
As wonderful as my character’s tragic backstory or hushed conversation might be, none of that matters an iota if I don’t get the beginning right.
I cannot say I’ve ever read a romance novel where the heroine sat around twiddling her thumbs waiting for a two-dimensional character with no name, (looking you, Prince Charming... ) to give her a new life.
The discussion is ongoing, but the panel was insightful, educational and full of actionable steps that authors, readers, and industry professionals can take to further a fully inclusive, fully intersectional romance genre.
If romance makes the changes that should have been made centuries ago, if romance opens its publishing houses and agencies and offers the same opportunity to authors of color as it does to white authors right now, we take away the excuse that it won’t work.
Will they or won’t they – it’s the most important, infuriating question of every romance novel. Will they give into their desire now, in the dark corners of the library? How about now, in the hidden coves of the rose gardens? When will they finally succumb to what they both desire most?
Whether there are only seven stories to honestly be told or a vast amount more, the reality is that when you—or any other author—puts those stories to the page, it is the very first time they have been done that way.
There are several reasons I love writing epilogues. Here are just a few.
Listening to the world around you – yes, perhaps more than is polite – is a surefire way to realistically represent the world around you, no matter the setting, time period or characters.
An Education in Edinburgh is LIVE! Read this Ticket to True Love Series story today!