Whether there are only seven stories to honestly be told or a vast amount more, the reality is that when you—or any other author—puts those stories to the page, it is the very first time they have been done that way.
There are several reasons I love writing epilogues. Here are just a few.
If there was ever a truth I struggled with, it was this. Being busy doesn’t necessarily mean being productive.
Listening to the world around you – yes, perhaps more than is polite – is a surefire way to realistically represent the world around you, no matter the setting, time period or characters.
It is also important to find a healthy, sustainable balance between the business and creative sides of your work, or you can find yourself wasting a lot of precious time on to-do items with low ROI.
I’ve been a self-employed writer and journalist for going on two years and there is definitely a learning curve when it comes to treating the home like the office. Here are a few tips and tricks I’ve developed over my career to ensure maximum productivity, even if your desk is an ironing board.
Writing is hard. On the best of days, when the phone doesn’t ring and the dog doesn’t bark and your other jobs or school work or family obligations remain mercifully quiet, writing is still a challenge. And the truth is, most days aren’t going to be like that.
To be an editor, you have to sense when phrases don’t sound right. We must be self-editing and rewriting all the time to create the best product possible. Here are a few ways to manage the editing process, so you can achieve the best final piece.
On those days, more than any other, you need to know how to work. You need to have a sense of your own limits and your own strengths and you need to know how you can make it through the dark cloud to achieve even that one simple project, to put on your thinking brain and ignore the poll numbers and the destruction photos. You need to be able to do this, because in the life of a writer, you will have days when nothing goes right, and you will still be called upon to tell stories. Perhaps more than ever.
Cities do not speak. Beaches do not dance. Mountain ranges do not dream. Places are not, intrinsically, human. The humanity we derive from them is based in our own perception, the sights, sounds and smells that form a location or environment in our mind. There is no natural anthropomorphism to a place, and that is why it is so important that we put it there.