I have been given a lot of advice. And while a great deal of it has been good (and, naturally, a great deal has been truly terrible as well,) nothing has yet come to claim the crown as these simple words from my grandfather.
To be a writer, you have to be a reader, but sometimes it’s a weird wire to walk--to be professional and totally chill and cool even though your eyes are popping out of your head. I’ve been on one side of this a lot. For years. And happily.
Our careers may look very solidly set when we take the first step into the unknown, but the truth is that these things change in ways we could never expect or imagine.
If you’re on the journey toward your next story, play, poem, article or novel check out some of the most fundamental reasons for why NaNo works and how you can do it all year long.
This idea of the muse, of some catch-all messenger of creativity is delightful and fantastical. It’s also completely made up.
Just because the writer, reader and general populous know how the book is going to end doesn’t mean it’s not a book worth reading – or writing. In fact, I have discovered that writing the books with a required ending is more challenging than writing ones without.
Because there is a fine line between being alone to write and being lonely.