Why aren’t these books marketed as romance novels and why do so many stories have love-story plots or subplots but scoff at the ones that do so intentionally?
But despite all those things people tend to say about romance, reading it has made me a fundamentally better author, both in and out of the genre. These books are often escapist and fantastical, yes, but I have taken many important writing skills and themes away from them. Here are just a few.
Sometimes I write about important things. This isn’t one of those times. This is one of those times where I stomp my feet and beat my chest and demand that our alpha He-Men are also capable polyglots with an eye for Baroque art and a surprisingly vast knowledge of the erotic language in the Decameron.
I got to sit down with MJ Roberts to talk Playboy, rock music, and her current series, Hard Rock.
Most of my ‘real-world’ characters become amalgams of the people I know, faces and personalities, verbal ticks, cute quirks, a version of a real person that doesn’t exist in the real world.
When I tell people I write romance novels, I get myriad responses. By far, the ones I find most offensive are those people who ask, Do you ever want to write real books? Yeah. I do want to write real books. That’s why I write romance novels.
Over the years, it’s come to my attention just how many hours a day I spend marketing, promoting, writing blogs, scheduling social, filing expenses, the whole nine. These are things I never even considered before I got started, and now they occupy my days and nights, taking up far more time than they deserve, and cutting into the hours I really should be writing.